| 18/05/2018 | |
| Zurich, Switzerland |
This composition, submitted for the Zurich 2018 International Film Music Competition, is a musical exploration inspired by the short film “Tamah.” As a response to the visual narrative of the film, the music seeks to enhance and complement the emotional landscape of the story.
Drawing on a diverse range of musical elements, the composition aims to underscore the film’s themes, characters, and narrative arc. The score unfolds dynamically, mirroring the pacing and nuances of the on-screen action, creating an immersive experience for the audience.
Through careful orchestration and thematic development, the music reflects the moods and tensions portrayed in “Tamah.” From evocative melodies to subtle atmospheric textures, this composition is designed to contribute to the overall cinematic atmosphere, capturing the essence of the film and elevating its impact.
As a submission for the Zurich 2018 International Film Music Competition, this composition is not only a musical interpretation of “Tamah” but also a testament to the power of music to enhance storytelling on the silver screen. It is an invitation for the listener to engage with the symbiotic relationship between visuals and sound, as well as an expression of the composer’s commitment to the craft of film scoring.
TAMAH (2018)
For Symphonic Orchestra [3-2-2-2 / 6-3-4-1/ Pno. & Hrp / Timp. + 3 Perc. / Str. 12-10-8-6-5 + alto sax. , gtr & El. Bass]
Duration ~ 05′:11″